Part 2. The other is a disappointing hybrid genre


The Witch: Part 2. The Other Exam

call a movie The Witch: Part 1. The Subversion is a cheeky move that immediately forces the audience to accept that they don’t quite understand the whole story yet. Thankfully, the 2018 film actually did a decent job of telling a full story and elevating it with superb action, a charismatic cast, and plenty of striking visuals. However, the world he created never really felt like it needed a sequel. By creating one, it allowed The Witch: Part 2. The Other to carry with it the intrigue of wondering where things will go and how everything will fit together.

Without surprise, The Witch: Part 2. The Other complicates its initial premise by following a new character and surrounding it with more unfamiliar faces. Cynthia (Shin Si-ah) wakes up after a lab is destroyed by a group of “gifted” young adults – similar to the group led by Nobleman (Choi Woo-shik) in the previous film – and soon comes across a kidnapped woman. by some thugs. After saving her life by revealing the strength of her special abilities, Kyung-hee (Park Eun-bin) offers Cynthia a place to stay on her father’s farm.

The Witch: Part 2 becomes the cobweb of narrative threads that it is because it jumps around a lot at the beginning of the film and gives very little information about its characters. Where the first movie used a lack of detail as a strength to amp up the mystery surrounding a character whose powers lay dormant, the sequel finds itself trying to introduce more groups while keeping its story small. Which ends up being a huge problem because The Witch: Part 2. The Other feels less satisfying than its predecessor. A short story with a heavy exposition amounts to a less effective variation of the original film.

Image courtesy of Well Go USA Entertainment

There are mercenaries hired to hunt down Cynthia, but their banter seems too forced and their backgrounds non-existent. Then there are the other young superpowers who hunt down Cynthia so that there are no survivors of the lab they destroyed. They are violent and tend to be threatening to everyone in their path due to the advantage their powers give them. Again, their similarities to the group from the previous film means that all of these superpowered beings are violent and cruel, but this group in particular just doesn’t have the same impact as the team from the first film.

The biggest mistake though is that Park Hoon-jung keeps The Witch: Part 2. The Other’s stakes too low. It feels more like a first part because his connective tissue is extremely light and when he starts explaining more details, it’s all in service of something bigger that doesn’t surface. A group of gangsters encroaching on Kyung-hee’s father’s farm after his death and the little girl who can seemingly kill people with the flick of her wrist has the potential to be an interesting clash, especially when the many storylines of the film begin to converge. But the final sequence feels mute despite some helpful action beats.

The Witch: Part 2. The Other
Image courtesy of Well Go USA Entertainment

This is the other problem that persists throughout The Witch: Part 2 – a disappointing execution of his action. The first film felt inspired by its efficient kills and excessive gore. It was gleefully hyperviolent while still maintaining interesting sequences thanks to excellent choreography. The second movie feels more like a comic book movie as the characters fight after beating, diminishing the potency of its superpower conceit, while never really providing any standout moments. A few flashing beats and you’ll miss it are peppered throughout the final act, but The Witch: Part 2. The Other is never better than its first showcase of Cynthia’s powers – a quick multikill that reverberates throughout the film despite its very quick employment.

Although disappointing, The Witch: Part 2. The Other it always feels like it has the potential to become something bigger. Some familiar faces return to help bring the two films together, but it all feels like they’re two separate stories that can intersect in deeper ways through a third film. It’s unfortunate that Park decided to flesh out the world more than the narrative, but it’s an interesting world. Where it stumbles is as a follow-up to an effective genre hybrid that used both horror and action in equal measure. The Witch: Part 2. The Other just never quite nails either because it seems more interesting to create a universe than a story.

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